PUBLICATIONS
DOGC n. 5204. Exhibition catalog. University of Barcelona. 2025. D.L.: B 23747- 2025
A Fake News about Paul Cézanne. Exhibition catalog. University of La Laguna. 2025. D.L.: B 11192- 2025
9 Histories of the Mountains... and Fake News. Exhibition catalog. With critical text by Pilar Vélez. Ajuntament d’Arenys de Mar. 2024. D.L.: B 15940 - 2024
Collection of Prints. Exhibition catalog. Municipality of Codigoro. 2023. D.L.: B 17599 - 2023
Black and Mud. Exhibition catalog. With critical text and edited by Emanuela Sesti. Academy of Fine Arts of Florence. 2022. ISBN 978-84-09-42732-1
Changes. Exhibition catalog. With critical texts by M. Cova (curator), G. Valentino, M. Trombetta, S. Simi de Burgis. Matera, Altrimedia Edizioni. 2022. ISBN 978-88-6960-162-0
After the Storm. Exhibition catalog. With texts by Riccardo Caldura, Antonio Fiengo, and Carlo Fusca. Academy of Fine Arts of Venice. 2021. ISBN 978-84-09-31159-0
Ink. Book chapter: Fusca, C., "Treating on Painting," pp. 139-144. Bari. The Arch and the Court. Ed. 2021. ISBN: 978-88-31447-18-8
Riccardo's World – Domenico Riccardo Peretti Griva, magistrate and photographer. Documentary film produced by the National Cinema Museum of Turin and KUBLAI – film production company, directed by Daniele Frison.
Familiarity and political compromise in the recent work of Tónia Coll. CROMA Magazine 15, Estudos Artísticos, January-June, pp. 132-142. 2020. ISSN: 2182-8547. Indexed journal.
Daily life and spontaneous visual signals as references of artistic creation in the global era - Everydayness and spontaneous visual signals as references of artistic creation in the global era. BRAC, Barcelona Research Art Creation, vol. 6, no. 1, February 2018. ISSN: 2014-8992. Indexed journal.
El roure (after M): an approximation to a recent pictórica series by Adolf Genovart. GAMA Magazine 11, Estudos Artísticos, January-June, pp. 186-196. 2018. ISSN: 2182-8539. Indexed journal.
Contemporary art and visual signals of everyday life as a paradigm of global models of life and thought. ANIAV – Journal of Research in Visual Arts, N. 2, pp. 11-23. 2018. ISSN: 2530-9986
Spontaneous visual signals present in everyday life, as referents of artistic creation in the work of Ignasi Aballí. STUDIO magazine 18, vol. 8, no. 18, pp. 134-145. 2017. ISSN: 1647-6158. Indexed journal.
Tribu– Images for an anthropology of posterity. MUNDAÚ – JOURNAL OF ANTHROPOLOGY, VOL. 3, Anthropology and Image: Produções, Acervos e Coleções Etnográficas, Brasil, pages 188-197. 2017. ISSN: 2014-8992
Històries de Catalunya. Book cover and various illustrations. Barcelona Cossetania Editions. 2007. ISBN: 978-84-9791-252-5
Històries de Catalunya. 13 CDs + book of the TV3-Televísió de Catalunya S.A. program of the same name. Program illustrator. Barcelona Group 62. 2003. CD ISBN 84-297-5368-0, book ISBN 84-297-5367-2
Barcelona on Tour. The City from the Touristic Bus. Photographic book. Editorial Mediterrània. Barcelona. 2001. With preface by Oriol Bohigas. ISBN: 84-8334-277-4
Lights and Shadows of Arenys. Photographic book. Arenys de Mar. Els Set Ciències. 1999. With preface by Pere Formiguera. ISBN: 84-923750-4-3
Two professionals from the collodion era: Pietro Poppi and Giorgio Sommer. Chapter of the book "At the origins of photography. A Tuscan itinerary 1839-1880", pp. 145-156. Florence. Fratelli Alinari Editore. 1989. ISBN: 88-7292-108-2
The Pioneers of the Camera Obscura. Photography in Bologna in the Nineteenth Century. Monthly magazine of the Municipality of Bologna, pp. 43-46. Bologna. 1989. ISSN: 2943.23.3.61
Photography and Restoration in the Work of Alfonso Rubbiani. Magazine "Il Carrobbio", vol. XIII, pp. 105-117. Bologna. Ed. Luigi Parma. 1987. ISSN: 0392-3347
Photography in Bologna in 1888. Magazine "Secularia Nona. University of Bologna 1088-1988", pp. 68-71. Bologna. Ed. Grafica. 1988. ISSN: 5534 18.11.87
The Photographic Archive of a Ticino Architect. Bernardo Ramelli (1873-1930). "Fotologia" Magazine, vol. 9, pp. 50-51. Florence. Fratelli Alinari Editore. 1988. ISBN/ISSN: 88-7292-100-7
Photography and Architectural Restoration. "Fotologia" Magazine, vol. 8, pp. 24-30. Florence. Fratelli Alinari Editore. 1987. ISBN/ISSN: 88-7292-092-2
Emilio Anriot. Ten Years of Photography in Bologna (1861-1870). "Fotologia" Magazine, vol. 7, pp. 18-25. Florence. Fratelli Alinari Editore. 1987. ISBN/ISSN: 887.292-094-9
Art in Italy. Poppi Photography. "Fotologia" Magazine, vol. 6, pp. 48-49. Florence. Fratelli Alinari Editore. 1986. ISBN/ISSN: 88-7292-099-X
CONFERENCES
A fake news about Paul Cézanne. In: “Congreso H. Congreso Internacional de comunicación, medios audiovisuales y análisis”. Tenerife. 2025.
The Dynamics of Tourist Flows II. Conference-Workshop of 3 weeks on Daguerreotype and Bromolium Transfer. Academy of Fine Arts of Florence. 2025.
Painting and Mud: The Case of Florence (1966-2022). In “MaterMater, 1st Research Day on Memory and Artistic Matter.” Faculty of Fine Arts, University of Barcelona. 2024.
Artistic Creation: Methodology and Context. Conference-Seminar on Artistic Research and Creative Criteria. Academy of Fine Arts Venice. 2024.
"Mater Mater Workshops: Reviving Matter." Conference-Workshop on Contemporary Artistic Creation. Santa Mònica Art Center Barcelona. 2024.
Signals from… In: “Congreso H. Congreso Internacional de comunicación, medios audiovisuales y análisis”. Lanzarote. 2024.
The Dynamics of Tourist Flows I. Conference-Workshop of 5 days on Pinhole Photography. Academy of Fine Arts of Florence. 2024.
After the storm: art and heritage in climate crisis. In: "Heritages. Past and Present - Built and Social. International Conference on Culture, History, Art and Design". Prague. 2023.
The Design of Light: From the First Shadows to the Present. In the seminar "A Thousand Years of Skies. Light, Color, and Matter." National Art Museum of Catalonia MNAC. Barcelona. 2023.
Architectural scenarios on the border between art and life: a transversal and comparative reading of some of Antoni Miralda's works. In: “XII Congreso Internacional CSO, Criadores Sobre outras Obras”. Lisbon. 2021.
Earth Attack! In: “VI Congreso Internacional de Cultura Visual – GKA VISUAL 2020”. Paris. 2020.
Familiarity and political compromise in the recent work of Tónia Coll. In: “XI Congreso Internacional CSO, Criadores Sobre outras Obras”. Lisbon. 2020.
To seek collective and conscious artistic práctica to the public. A learning-service proposal for Grado alumnae in Bellas Artes. (Grau-Costa, E.; Serrano Navamuel, F.J.; Cova, M). In: “XI Congreso Nacional y I Europeano sobre Aprendizaje-Servicio en Educación Superior”. Madrid. 2020.
Simulations of a virtual world. In: "XV International Congress of Technology, Knowledge and Society. The social impact of artificial intelligence: policies and new governance models for social change". Barcelona. 2019.
Society, industrialization and territory in the photographic album of a burguese family. In: “X Congreso Internacional CSO, Criadores Sobre outras Obras”. Lisbon. 2019.
El roure (after M): an approximation to a recent pictórica series by Adolf Genovart. In: “IX Congreso Internacional CSO, Criadores Sobre outras Obras”. Lisbon. 2018.
The Lie of Photography: An Arbitrary Construction of Reality. Inaugural Lecture of the XVIII Symposium "The Censored History of Catalonia." Arenys de Munt. 2018.
Architecture and Urban Space as a Vehicle for Critical Reflections on Globalization. A Reflection on the Work of Antoni Miralda. MACBA, Museum of Contemporary Art of Barcelona. 2017.
Spontaneous visual signals present in everyday life, as referents of artistic creation in the work of Ignasi Aballí. In: “VIII Congreso Internacional CSO, Criadores Sobre outras Obras”. Lisbon. 2017.
The artefacts of architectural practices as referents of contemporary artistic creation and vehicles of critical reflection. In: “I Congreso Internacional en Comunicación Arquitectónica COCA”. Madrid. 2017.
Contemporary art and visual signals of everyday life as a paradigm of global models of life and thought. In: “III CONGRESO INTERNACIONAL DE INVESTIGACIÓN EN ARTES VISUALES - ANIAV 2017 - GLOCAL [codify, mediar, transformar, vivir]”. Valencia. 2017.
Tribu. Photography as a vehicle for narrative construction of the city and the territory. In: “ACC'17, 3rd International Congress of Art, Science and Cities”. Rum raisin. Málaga. 2017.